Search results for " Carnival"

showing 4 items of 4 documents

Tradizioni carnevalesche a Mezzojuso: dal Mastro di Campo al rogo del Nannu

2023

Il Mastro di Campo di Mezzojuso è una performance carnevalesca tradizionale che presenta un articolato simbolismo rituale riconducibile al pattern delle cerimonie di capodanno. In particolare si osservano il tema della ierogamia e della lotta rituale come elementi di promozione della fecondità. Ambedue i simboli rituali, la rappresentazione di una danza o di uno scontro armato, con l'eventuale coinvolgimento degli astanti e la celebrazione di un matrimonio, correlati o disgiunti, sono, come è noto, costitutivi ab antico delle cerimonie di capodanno, segnatamente di quelle primaverili. Altri rituali carnevaleschi europei hanno una simile articolazione. Il saggio presenta una serie di esempi …

Nozze sacre capodanno carnevale alberi metodo storico-comparativoSettore M-DEA/01 - Discipline DemoetnoantropologicheSacred marriage New Year Carnival trees historical-comparative method
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Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888

2021

At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASapproached from a historical and descriptive perspectiveSpanish carnivals have been marked by the participation of the different tunas or also known asLeslie At the end of the 19th centuryrevista de investigación musical: territorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres2386-8260 13268 Itamarestudiantinas. These groups achieved significant relevance in Galiciayear after yeardifferent from its predecessorsPortugal. This researchand place it as an indispensable part of a traditionthrough primary and secondary sourcesterritorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres [revista de investigación musical]the Santiago Tuna of 1888 ventured and made its mark in historywhich lasts until today. 285 298:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]aims to carry out a review of the semblance Compostelana Estudiantina of 1888thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring countryespecially in the city of Compostelaencouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Althoughwhich
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Venice taverns

2018

Bacari are the tavern-asylum for workers working the hardest and most humble jobs of the lagoon. The traditional bacari are slowly disappearing: it’s true because their clients are also disappearing. Fortunately, this phenomenon is steadily reconverting: nowadays in Venice, one after the other, a number of new bacari are opening at speed of light, tailored on the new generation of clients. Young and curious guys, interested in discovering the most ancient traditions bound to the anthropologic and economic context of Venice are craving to experience the atmosphere and taste recipies of the old tradition of an authentic Venice, far away from mystifications of vulgar commercialization that is …

Venezia Taverns Traditional cuisine Carnival BacariSettore ICAR/21 - Urbanistica
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Masks and carnivals in contemporary Sardinia

2020

The carnival occupies an important place in Sardinia, and attracts the attention of scholars with its continuously renewed meanings and functions. Furthermore, the institution of carnival is one of the cultural traits that has most oriented enhancement, research, re-proposal, revitalization of spontaneous groups and cultural associations: local traditions are re-learned and reworked along with specific identities and new forms of expression. In this sense, we can speak of new carnivals; cultural heritage in new economic and social contexts. In other words: today’s representations and masks refer to an alleged tradition to respond to contemporary needs and requests. In the case of Sardinian …

masks carnivals cultural heritages SardiniaSettore M-DEA/01 - Discipline Demoetnoantropologiche
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